Tag Archives: life course

    In Brief

    It Takes a Care Village

    We all know that Americans are living longer. But some of us are living much, much longer.

    According to the latest Census, the number of people living to age 90 and beyond has tripled in the past three decades — to almost 2 million — and is likely to quadruple by 2050. And 70 percent of
    nonagenarians are female.

    Studying the gender gap in aging, sociologist Meika Loe, in >Aging Our Way: Lessons for Living from 85 and Beyond, says that women may have a leg up when it comes to managing self-care in old age. Skills like cooking, cleaning, and caring for others clearly impact the ability to care for oneself.

    In addition, nonagenarians maintain autonomy and control by asking others for help, which may be easier for women to do. But asking also requires good social networks. These tend to shrink as people age.

    To counteract this problem, Loe shows how some elders have begun creating “informal care villages”— neighbor-helping-neighbor volunteer systems that allow individuals to share local resources at a cost savings or exchange personal services for free. They might trade driving or transportation for emotional support, for instance, or take turns delivering hot meals or checking in on one another.

    Only 22 percent of elders live in institutional facilities. Forty percent of those 85 and older live by themselves. Informal care villages enable interdependence and actually increase elders’ ability to remain independent. They ensure that elders’ needs continue to be met, especially in a climate of limited federal support for aging at home.

    It turns out that traditionally female skills, like asking for help, make a huge difference in the aging process. Men: take note.

    Purchase this article

    about the author

    R. Danielle Egan is in the gender and sexuality studies program at St. Lawrence University. She is the author of the forthcoming book, Becoming Sexual: A Critical Appraisal of the Sexualization of Girls.

    Mediations

    Sexualizing Girl Troubles

    The issue of the sexualization of girls has made its way into scholarly and popular literature. The author discusses various media myths of hyper-sexuality in young girls and its potential problems.

    Purchase this article

    about the authors

    Monte Bute is in the sociology department at Metropolitan State University in St. Paul, Minnesota. He is active with his statewide faculty union and frequently writes op-ed essays for daily newspapers.

    Jon Smajda is a graduate student in the sociology department at University of Minnesota for at least a few more weeks. He designed and developed thesocietypages.org and co-hosts Office Hours.

    Exchange

    A Life-and Death-in the Classroom

    Monte Bute is many things: an admired sociology professor, a dedicated community activist, an author and blogger, and a friend and one-time board member of Contexts. He is also a dying man. Rather than keep his condition to himself, Bute, radically, chose to look at death as a fundamentally “teachable moment,” bringing it into his thought, his writing, and his classroom. In the process, Bute might just have become the ultimate public sociologist of the life course.

    You can listen to this interview in its entirety here.

    Jon Smajda: What’s going on with Monte Bute?

    Monte Bute: Well, I have stumbled into the world of death and dying. It was never an academic specialty, but now it’s becoming an experiential reality. Turned out that I have one of the rarest forms of cancer that exists… the type of thing that just sort of controls a lot of your world pretty rapidly. I then went into really severe decline very quickly, but continued to teach through all of that. And more than anything else, what it turned into was sort of a subtext of all of the classes I was teaching—often, purely by serendipity, not by intent.

    JS: Your experiences as a sociologist have caused you to look at sociology and see what sociology can do to understand what you’re going through, but you’ve said you’re not finding much.

    MB: No. The parallel to Durkheim and Suicide really stood out to me. Durkheim, of course, made a great breakthrough by dealing with suicide sociologically, but he threw the baby out with the bath water! I’ve recently run across an article, “Understanding the Experiential World of the Dying: Limits to Sociological Research,” and it just struck a bell with me. That that is just a central issue.

    JS: What exactly did Durkheim exclude? Writing on suicide, how did that create blind spots for sociology?

    MB: Well, he wanted to create, to point out to people, the paradox of what was truly the field of sociology. And he did so by excluding anything to do with the personal aspects of suicide. He didn’t want to know any details about individual cases; he didn’t care about motive, intention, any of those things. He wanted only to look at statistical rates and to be able to set up a classical invariant model of research. His whole premise to justify sociology was to turn the tables… and deal only with the archives of statistics on suicides. And to some degree, a lot of the approach to death and dying has been the same way. Let’s look for regularity, let’s look for pattern, let’s look at massive numbers of cases. And there’s value in all of that, but what’s often lost is the truths that come from the individual case, the single case, the negative case. And much of that, especially with dying, no matter how much you turn it into a sociological research project to study, you don’t realize that this is primarily an emotional experience, to face death. There’s no experience more lonely than dying. It changes in different cultures, but that’s the central point of it.

    JS: So it’s not something that individuals go through in a vacuum.

    MB: No, no, no, the social context is very powerful, probably the most important aspect to this, to me, was I received this diagnosis of terminal cancer out of the blue, on a cell phone, the day of my 65th birthday. Within a month, anonymously, former students and some colleagues created a “Fan Club” page on Facebook. That sort of “outed” me. And this no longer became a lonely, singular journey. It became a community. Suddenly it was a wide array of people involved, at different levels, in creating dialog about this experience… this suddenly turned it into a sociological experience. What began to immediately happen, being a sociologist, is I became a participant and an observer at the same time. That sort of double consciousness about the experience I had, there is nothing you could be more involved in than facing your own death, but at the same time there was detachment. So I was observing myself and others. [Dying was] an experience among a community of people.

    JS: One of the things I’ve heard you say is that dying is a stage of the life course, it’s a process that people go through. It’s not just something that happens to you.

    MB: People who work in the death and dying field, they have spent so much time trying to explain what a “good death” is. And when they talk about a good death, [they mean] that you should know it’s coming, you retain control, you have dignity and privacy, control over pain, you’re in a secure place, and there’s emotional support, etc. All of that stuff. I’ve come to a very different conclusion. Those things are all well and good, but my experience and understanding of this is, in fact, if you know that the end is coming, and have some time, this can be a liminal experience. You have an opportunity to reexamine the meaning of your life, and even more importantly, the meaning of what does it mean to be human. And, to me, a good death can be a death in which you go through affective and cognitive dissonance. You’re… unsettled. Now I don’t want you to die in that state, but this should be a time to go back to first questions and to final things. You reexamine and maybe you retell the narrative of your life. But you also look at the social and historical context that you’re living in. You begin to look at the human relationship with the cosmos, you begin to look and see that you are an animal that’s in a lived body. So many things come to the fore, and I think we’re so busy turning this into a therapeutic experience and a medical experience that we sort of lose the tragic nature of life, a chance to become a lay philosopher, a public philosopher in an odd way, and a public sociologist.

    JS: What do you mean by “public sociologist”?

    MB: Being a public sociologist is taking all social phenomena and using it, any form of social interaction, to help people make sense of their lives. And there is no greater taboo than the process of dying. People flee from the idea of dying, and so they add to the loneliness of the process. So for me, once I was “outed,” it caused me to step back and say, “My god, this is a teachable moment.” I will turn this into… a learning experience for my students, for my colleagues, for the general public. This is probably the most important public sociology project of my life.

    *JS: I think one of the striking things is the way you’re using literature.

    MB: In this dying experience, I have found that literature and film have spoken more deeply to me and to the people around me than the social sciences. And that’s unfortunate. For instance, Kurasawa, the great Japanese director, had an early film called Ikiru. It is the story of a Japanese bureaucrat who just plods to work every day. One day, he discovers that he has stomach cancer and has a year to live. The movie suddenly shifts to a memorial service, and we only discover through the memorial service how he spent his last year. And it was the most powerful image of someone who confronted death, confronted the meaning of their life, what they’d been doing, and it was a moment of awakening. Now those are things that should be captured more often by sociological ethnographies, life stories, biography—and they are occasionally—but they’re not what we spend most of our time working with students on.

    JS: One last thing I wanted to ask you about is the book Tuesdays with Morrie. And I bring this up because every sociologist knows about this book, and every sociologist gets asked about this book, because it’s about a sociologist, and most people cringe. And then you said you re-evaluated your opinion of this book.

    MB: I had read it and written it off as sort of a trite self-help manual, but I went back and I’ve reread that twice during the past 15 months. [Tuesdays] is what sociology should be doing about the process of dying. It is a profound rumination on the biological, the social and cultural, the psychological, and the spiritual elements of your coming demise. I’ll bet 95 percent of people who read that book could not tell you that he was a sociologist. He wasn’t using “soc speak,” he wasn’t babbling with journal diagnosis and definition, he was a human being who used the sociological lens to bring his own lived experience of this tremendously solitary experience to readers, to viewers, to people who were terrified by death. And he managed to turn this into a Socratic experience with his former student. [Morrie] talks about love and marriage and death and happiness, all of these topics, and he constantly has the sociological framework there without ever telling anyone he’s using this sociological paradigm to explain lived experience.

    Purchase this article

    about the author

    Charles Lemert is an emeritus professor at Wesleyan University and a senior fellow at Yale University’s Center for Comparative Research. He is the author, most recently, of Why Niebuhr Matters.

    Feature

    The Dead, the Living, and Those Yet to Come

    Drawing on classical sociology texts, Charles Lemert explores the necessity of a sociological examination of what he calls the Society of the Dead and how its memories impact social life.

    Purchase this article

    about the authors

    Benjamin G. Gibbs is in the sociology department at Brigham Young University. He studies the origins of social stratification.

    Mikaela Dufur is in the department of sociology at Brigham Young University. She has published on the NFL draft and collegiate basketball coaches' career paths.

    Shawn Meiners is a food science major at Brigham Young University.

    David Jeter is a public health major at Brigham Young University.

    Trends

    Gladwell’s Big Kid Bias?

    A closer look at Malcolm Gladwell’s “iron law of Canadian Hockey” reveals that birthday cut-offs in pee-wee leagues do not, in fact, predict eventual hockey stardom. The authors find that the Gladwell’s supposed bias levels out once players reach the major leagues.

    Purchase this article

    about the authors

    Michael J. Shanahan is in the department of sociology at UNC-Chapel Hill. He studies links among genetic factors, status attainment processes, and health.

    Shawn Bauldry is in the sociology program at UNC-Chapel Hill. He is interested in sociological research methods and educational attainment

    Jason A. Freeman is in the department of sociology at UNC-Chapel Hill. He studies religion and its role in health and genetic mechanisms.

    Feature

    Beyond Mendel’s Ghost

    Working together, geneticists and sociologists are showing that there is a dynamic, complex relationship between genes and social behavior.

    Purchase this article

    about the author

    Linda J. Waite is in the sociology department and directs the Center on Aging at the University of Chicago. She is also the principal investigator of the National Social Life, Health, and Aging Project, funded by the National Institute on Aging.

    One Thing I Know

    Sexuality Has No Expiration Date

    To the casual observer of television, movies, or popular magazines, sexuality would seem like the province of the young.

    And the first major national study of sex in the U.S., done in the early 1990s, stopped at age 59, as if sexuality did too.

    Of course, as any Baby Boomer can now tell you, this isn’t the case. The aging of this cohort, combined with the development of medications to treat sexual problems common among older men, has brought the sexual interests of mature adults into public discourse. Several recent surveys of sexuality at older ages allow researchers to paint a detailed picture of sex at older ages—including attitudes toward sex, motivation to find a partner, sexual behavior, and sexual functioning. Although sexual activity declines and some sexual problems can arise with age, many older adults remain sexually active and satisfied into their 80s.

    Two key factors set the course of sexuality over the second half of life: availability of a partner and health. Older men are more likely than older women to have partners and more likely to repartner should they lose one. Women tend to be younger than their partner and tend to live longer. So by ages 75-85, about twice as many men as women have a partner with whom they might have sex (clearly, that partner has to function at some minimal level or sex isn’t in the cards). Those in poor health face much worse prospects for an active sex life; diabetes, cancer, arthritis, obesity all make sex more difficult and less rewarding. Recent studies suggest that these challenges of poor health take a bigger toll on the sex lives of men than of women, perhaps because of men’s traditionally more active role in initiating sex and in intercourse itself.

    So the chances of having a partner drop with age, and the chances of having sex (given that one has a partner) also decline. Adults in their 50s and early 60s who have partners are virtually all sexually active, regardless of their health. But by their early- to mid-80s, the picture changes, and trajectories of sexual behavior diverge for men and women, with health playing a bigger role. More than half of older partnered men in good health are sexually active, compared to about a quarter of those in fair to poor health. Four in ten older partnered women in the best health are sexually active in their 80s, but among those in fair to poor health, only one in six is. Despite these caveats, many older adults remain sexually active, and, for those who do, sex is generally more than a once-in-a-long-while activity; more than half of sexually active older adults in their mid-70s to early-80s have sex several times a month and about a quarter have sex at least several times a week.

    Sexual attitudes and practices show a generational divide of sorts. Those who came of age in the 1960s or later are more liberal in their attitudes, more likely to masturbate, and more likely to include oral sex in their repertoire than those who grew up in an earlier and more conservative time. Older men are more interested in sex than are older women (paralleling the gender difference at younger ages), and interest in sex declines with age for both men and women. Older unpartnered men are much more likely to have had sex with someone in the past year—about a quarter said they did—than are older women, who almost never report this behavior.

    And about half of older men and older women report at least one problem with sex that bothers them. Women are most likely to say that they lacked interest in sex, failed to lubricate, or had difficulty reaching climax. Men are most likely to report problems achieving or maintaining an erection, a lack of interest in sex, or climaxing too quickly. Those in poor health are more likely to have poor sexual function, some of which could result from the consequences of disease.

    Careful consideration shows that sex among older adults seems like much else in life: functioning declines with age, but fairly slowly, and many people function well even at advanced ages. Further, despite our tendency to pretend otherwise, sexuality exists in a dynamic relationship, intimately connected with other aspects of good health over the entire adult life.

    Purchase this article

    about the authors

    Leila J. Rupp is in the feminist studies department at the University of California, Santa Barbara. She is the author of Sapphistries: A Global History of Love Between Women.

    Verta Taylor is in the sociology department at the University of California, Santa Barbara. She is the coauthor (with Rupp) of Drag Queens at the 801 Cabaret.

    Feature

    Straight Girls Kissing

    Young women kissing—especially on college campuses—grabs male and media attention alike, but these kisses don’t mean that the women involved are lesbians. Interviews with college age women reveal the complexity and fluidity of female sexuality.

    Purchase this article

    From the Article

    A few video clips referenced in the article:

    about the author

    Pepper Schwartz is a sociologist at the University of Washington. She is one of America's leading experts in sexuality and society.

    Exchange

    Pepper Schwartz and the Sociology of Sex

    From her own memoir on dating between ages 55 and 60 to social networking, Pepper Schwartz discusses what we do and don’t know about sex over the life course. Along the way, she offers advice for sociologists hoping to engage public audiences.

    Purchase this article

    about the author

    Hilary Levey Friedman is a Robert Woods Johnson Scholar in health policy at Harvard University. She studies childhood, competition, and culture.

    Culture Review

    Balloon Boy Plus Ei8ht? Children and Reality Television

    Reality TV has brought new opportunities for ever greater numbers of people to grab and extend their fifteen minutes of fame. The landscape of reality television has expanded since its advent in the early 1990s. From dating shows to makeover programs, talent contests to reality sitcoms (and celebrity versions of all of them), there are now multiple reality genres available to those seeking attention and notoriety. Everyone, often despite little talent, can market themselves and their identities to a wider audience. But what happens when your fifteen minutes of fame aren’t of your own choosing? More precisely, what if your parents choose to make you famous?

    Kids and reality TV are a growing—and volatile—mix. Throughout 2009 it was difficult to escape news coverage of “reality families” like Jon and Kate Gosselin and their brood of eight, “Octomom” and her dozen-plus, and the almost universally reviled Heene family who convinced their children to lie about a balloon stunt designed to help them secure their own reality show. But the media don’t often talk about children and reality TV as a genre—or the economic, legal, and psychological consequences of the pairing.

    One of the first examples of kid-centered reality TV was Bug Juice, shown on the Disney Channel in the late 1990s. The series, which aired for two seasons, followed a group of adolescents at sleep-away summer camp, documenting their friendships, crushes, and heartbreaks. The show aroused little to no media attention, presumably because of the positive gloss of the Mouse Network.

    Fast forward about ten years to CBS’s Kid Nation, which definitely produced an outcry. Kid Nation focused on 40 children, ranging from eight to fifteen years old, who were thrown together in a deserted town in New Mexico and told to create their own society, without “adults.” Media watchers railed about the safety and education of the children, given that the show was filmed during the school year and some of the kids were injured while cooking and working in their “society.” Entertainment insiders, like Paul Peterson of the non-profit A Minor Consideration, an organization focused on protecting young “performers,” highlighted issues of compensation, contractual obligations, and the labor the children contributed to this television show. As most critics pointed out, it was no accident that Tom Forman Productions selected New Mexico as the site of the show, as at the time it had very lax child labor laws, which have since been revised. A second season was called off amid criticism and less-than-stellar ratings.

    These issues surrounding the exploitation of children featured on reality television became part of the public discourse in a tragicomic way with the highly publicized reality TV show Jon & Kate Plus Ei8ht. In 2007, Figure 8 Films shot a documentary about the Gosselin family—a mom and dad, their twin daughters and their sextuplets (three boys and three girls)—that first aired on the Discovery channel. Subsequent specials were so popular that the cable channel TLC made it into a weekly show that aired for five seasons before being canceled in 2009 amidst family turmoil and concerns about the children’s well-being. Kate’s tantrums and odd hair, Jon’s behavior, the children’s personalities, the freebies the family received (including a tummy tuck and hair plugs), and even the family dogs became tabloid fodder, water-cooler gossip, and dinnertime conversation. TLC had a bona fide hit with one of the highest viewed television shows on cable TV.

    The success of Jon & Kate showed how a cheap-to-produce reality show (eight of the ten “stars” weren’t individually compensated) could spawn an entire marketing franchise, complete with adult and children’s books, DVDs, and other products sold with the Gosselins’ names and faces. The family has been so effectively marketed and sold to the public that both Jon and Kate quit full-time employment to focus on branding their family and making as much money as they could. Presumably hoping to replicate their success, TLC developed other reality series featuring kids and their unique families like Little People, Big World, 18 Kids and Counting, and Table for 12.

    Enter the Heene family. Richard Heene met his wife Mayumi in a Hollywood acting school. A few years and three sons later they appeared on an ABC reality TV show called Wife Swap—not once, but twice. In 2009, Richard Heene pitched his own family to TLC as the subject of a reality series; he understood how lucrative, both in terms of fame and money, family reality shows had become, especially given the Gosselins’ experience. The now infamous “Balloon Boy” hoax of October 15, 2009, was an ill-conceived attempt to bring the family media attention and increase their chances of landing their own reality show. The youngest participant in the hoax, six-year-old Falcon, let the cat out of the bag on The Larry King Show. Not only will his slip, “You said we did this for the show,” live on through YouTube clips, but so will his appearance on The Today Show the next morning, when he threw up on live television (some speculated out of exhaustion, while others went so far as to suggest his parents had drugged him). For little Falcon, his fifteen minutes of tears and vomit will play out forever on the Internet—all in the service of his parents’ pursuit of fame and money, which instead ended in jail time.

    Of course, child performers have long produced outrage and concern. As sociologist Viviana Zelizer explains, in the efforts to eradiate child labor in the United Status during the Progressive Era, child actors presented a particular challenge. Many adults said that these little performers were not actually working since their theatrical experiences were educational and fun. Others, who wished to outlaw all child labor, countered that parents were simply taking advantage of their children and turning them into a business so they could live off of them. The compromise solution to this debate was to allow child actors to continue to work, but with restrictions both in terms of the number of hours worked and the compensation structure. The Coogan Law, passed in 1939, established that 15 percent of all earnings must be kept in a trust for child performers until they turned 18—this after child actor Billy Coogan’s parents left him penniless on his own 18th birthday. These restrictions remain in place today.

    However, because of the nature of reality television, children appearing on these shows are not, by law, considered performers or even laborers. This is actually true for almost all those who appear on reality shows, especially programs like Survivor and The Amazing Race, which are officially classified as game shows. One notable exception is American Idol,, where, once contestants reach the Top 12, they become members of the American Federation of Television and Radio Actors (AFTRA) and receive union compensation and protection. But the Coogan law and AFTRA protections do not apply to the little Gosselin children, or the Duggars, the Roloffs, or other kids providing storylines and images which line the pockets of their parents and television executives.

    While there have been attempts to introduce Coogan-type legislation federally and in Pennsylvania, where Jon & Kate Plus Ei8ht was filmed, they have not been successful (note that Nadya Suleman, aka “Octomom,” does have Coogan accounts for her children, because the as-yet unaired reality show about her family is being filmed in California, which has the strictest Coogan laws). It’s clear that the Gosselin children worked long hours, often under poor conditions; a clip of one of the older Gosselin girls begging for, and being denied, water during a press junket for the series made headlines and became a viral clip. Not surprisingly, given their long work hours, the Gosselin kids often missed school. The media reported that in order to capitalize on the paparazzi attention around Jon and Kate’s marital woes, Figure 8 paid for Kate and the kids to vacation in the Outer Banks, where the children missed many of the last days of the school year. On top of this, while there are trust funds for the children, that money can be accessed by their parents at any time—and, unfortunately, the new house and cars purchased by Jon and Kate suggest that the kids’ college funds may not be as large as they could be. Overall, it is unclear who is protecting the needs and rights of children like the Gosselins when it comes to reality television.

    It’s also important to think about how reality TV forces its child stars to perform exaggerated versions of themselves to please their parents and other adults. Given parents’ apparent willingness to allow others to edit and shape their children’s “real” identities for a larger public in pursuit of status and financial benefits—even the greatest child star of all time, Shirley Temple, only ever played fictional characters—how might reality TV participation impact the kids’ on- and off-screen presentations of self? In a sense, parents are taking away their children’s ability to shape how others will see them, both now and in the future. Falcon Heene will probably always have the stigma of being “Balloon Boy” and getting sick on national television. Yet producers seem to have no problem finding parents to sign waivers allowing their children to be on shows like Kid Nation, Bravo’s NYC Prep, or even a VH1 competitive reality show whose title says it all: I Know My Kid’s a Star. It’s also interesting that, for the most part, these reality shows are not packaged for children’s consumption. Instead, they’re largely produced for an adult audience, an audience which, of course, includes the parents themselves.

    It appears that 2010 will only extend the reign of children on reality TV. Mark Burnett, the man who created Survivor, developed a game show for Fox featuring kids and their parents called Our Little Genius. The New York Times reported on January 6, 2010, that the show would give kids the chance to “win life-changing money for their families” by answering trivia questions correctly. (The next day, the AP reported that the show had been pulled because producers discovered some improprieties, presumably with parents feeding answers to their kids.) The long-standing NBC series Law & Order has also weighed in on parents’ over-zealousness to use their children to get their own fifteen minutes of fame in an episode entitled “Reality Bites,” which aired in October 2009. The episode featured a husband who killed his wife because she refused to sign the waivers allowing their children to appear on a reality show. The wife’s character had voiced concerns over the kids’ portrayal and how their friends would see them now and in the future—and, of course, suspicion about her murder first fell on an Octomom rip-off who was competing for a reality series on the same network. The timely episode and all of these reality shows raise questions that’ll remain unanswered for years: Will these kids be proud of the fifteen minutes they got at age five? Will they resent their parents for exposing their potty training to a general public? How will this notoriety affect their own views of themselves and how they present themselves to others in public? Let’s just hope that some of the profits that have been earned off of these children’s on-camera performances will be there for therapy, or at least a getaway car, if either proves necessary for the next “big” little reality stars someday.

    Purchase this article

    Coming Soon

    Listen to the Contexts Podcast for an upcoming interview with Hilary Levey!