A recent piece from the Week in Review by the New York Times included commentary on the upcoming elections and the racial divide. Times reporter Marcus Mabry writes, “whether Mr. Obama captures the White House in November will depend on how he is seen by white Americans. Indeed, some people argue that one of the reasons Mr. Obama was able to defeat Senator Hillary Rodham Clinton was that a large number of white voters saw him as ‘postracial.'”

Harvard sociologist Orlando Patterson was asked to comment.

Orlando Patterson, a professor of sociology at Harvard, argues that the one arena where black grievance is acceptable is in music, particularly in hip-hop, where an estimated 70 percent of listeners are white. But the generation exposed to hip-hop, mostly under 40, are part of what Mr. Patterson calls a growing “ecumenical” American culture that is unselfconsciously multiracial.

This Obama Generation came of age in the post-civil-rights age when color, though still relevant, had less impact on what one read, listened to or watched. It was the common crucible of popular culture, he said, that forged a truly American identity, rather than the “salad bowl” analogy cherished by diversity advocates.

Mr. Obama’s campaign so de-emphasized race that for most of the 17-month nomination contest much of the news media became obsessed with the question of whether he was “black enough” to win black votes.

Most African-American Democrats were for Hillary Clinton early on, until voters in Iowa proved to them that whites would support a black candidate.”

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