Search results for men of mortuaries

In my Intro to Soc course I assign K.R. Thompson’s article “Handling the Stigma of Handling the Dead: Morticians and Funeral Directors” (Deviant Behavior 1991, v. 12, p. 403-429). Thompson looked at how those involved in preparing the dead for burial and planning funerals try to manage the negative perceptions they suspect much of the public has of them. Language was a major way they tried to do this–redefining themselves as “funeral directors” rather than “morticians” or “undertakers,” referring to dead people as “the deceased” rather than “the body” or “the corpse,” “casket” rather than “coffin,” and so on. The point was to try to reduce the association with death–to never blatantly refer to death at all.

They also tried to avoid what they felt were stereotypes of funeral directors. Some mentioned trying not to wear black suits, and one man went so far as to keep hand warmers in his pockets so his hands would be warm when he shook family members’ hands–a reaction to what he said was a belief that funeral directors have cold, clammy hands. Others lived in a different town than where they worked and tried to keep their careers secret.

All of this was an attempt to avoid the stigma often placed on those who handle the dead (found in many cultures). We often suspect those who do so, thinking they must be creepy to be willing to do that kind of work. In addition, funeral directors are often depicted as unethical individuals who profit from a family’s pain and who can manipulate people while they are emotionally vulnerable.

I thought of that article when Lisa sent me a link to an article in Obit Magazine about the 2008 Men of Mortuaries calendar, which raised money for a breast-cancer charity:

1256_men of mort cover

9239_March With Copy

The article directly discusses stereotypes:

Aren’t undertakers old, gray of complexion, gaunt and, well, creepy?

Four hundred morticians and funeral directors from across the country who defy that stereotype sent applications to Kenneth McKenzie’s funeral home in Long Beach, Ca., to vie for a month in the calendar…

Also:

McKenzie sees the calendars as a humorous way to dispel the notion that morticians “are gray-haired and hunchbacked with no personality.”

Interestingly, the article does use the word “mortician,” so apparently some in the industry are still comfortable with the term. But overall, I think the calendar and the quotes from the article demonstrate the effort to manage stigma quite well.

CLARIFICATION: In light of a previous post about a calendar featuring nudity, some commenters are conversing about whether this calendar is objectifying or humanizing. That is an interesting, appropriate question and certainly worth discussing. I wanted to clarify, though, that I wasn’t trying to answer that particular question in this post. I only meant to suggest that the calendar was an example of an attempt at humanizing funeral directors in order to manage perceived stigma, which isn’t the same as saying it’s a good or effective attempt (or a bad or ineffective one, for that matter).

I have posted before about the ways those who handle the dead may try to humanize themselves so as to avoid the stigmas often associated with their jobs. Individuals who have jobs that require them to touch or be around dead bodies often find they are negatively stereotyped as creepy, gross, or as taking advantage of families in times of pain. They engage in various strategies to try to resist those stereotypes, including redefining the job and attempting to present it as something valuable and respectable (a “funeral director,” after all, sounds much nicer and more professional that “undertaker” or “mortician”).

In my previous post I discussed the Men of Mortuaries calendar, which presented shirtless male funeral directors in hunky poses. Now we have an example of women doing something similar. Christie W. sent in a link to the Funeral Divas website, which clearly tries to present women working in the funeral industry in a positive light:

From the site’s homepage:

A Funeral Diva is a strong, confident and successful woman who works in the funeral industry. She is not ashamed of her career! She is proud to serve hurting families!

So here, women who work in the funeral industry are hip, fun, successful career women — not creepy people who like being around dead bodies, and not individuals who profit from families’ grief.

Of course, in addition to presenting female funeral directors positively, the site also attempts to support women working in a field that has been male-dominated since preparing and burying our dead moved from an informal family activity to a formal business. However, women’s presence in this industry is growing. In 2008, the New York Times reported that women made up 35% of mortuary school students in 1995, while in 2007 60% were female; at some schools women make up nearly 75% of the student body. Interestingly, the article focuses on how the funeral industry has changed to include more concern for handling grieving individuals and, thus, the increased need for “the caring factor” — which presumably makes women seem like a better fit for the job, as they are assumed to be for other types of jobs that require lots of nurturing and emotional work.

Despite this, an article in the Christian Science Monitor discusses the barriers women in the industry continue to face. This year, New York’s Attorney General filed a lawsuit against one mortuary school, the Simmons Institute of Funeral Services, and its CEO, alleging repeated sexual harassment of female student and discrimination against pregnant women, a violation of Title IX.

So women in the funeral industry have to contend with the general negative stigma associated with their job, as well as the usual issues faced by women entering a previously male-dominated field. Funeral Divas is an interesting attempt to address both of these sets of problems at once.

This Course Guide is in progress and will be updated as I have time.

Disclaimer: If you’re thinking about writing a course guide.  I totally overdid it on this one!  It doesn’t have to be nearly this extensive.


Course Guide for
INTRODUCTION TO SOCIOLOGY

(last updated 5/2012)

Developed by Gwen Sharp
Nevada State College


C. Wright Mills and the Sociological Imagination

Intersection of biography and history as illustrated by:

“the capacity for astonishment is made lively again”

Karl Marx/Marxist analysis

Emile Durkheim

[Because the course guide has gotten to be so long, I’m putting the rest of it after the jump.]

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